Storytime

Storytime

Info

WHEN: Saturday, February 21, 2026
2:00 pm Pre-Concert Talk
3:00 pm Concert

WHERE: Ritsche Auditorium (Stewart Hall), St. Cloud State University

CONDUCTOR
Kornel Thomas

PROGRAM
Prelude from Hansel and Gretel  
   Engelbert Humperdinck

Peter and the Wolf
   Sergei Prokofiev
       Brandon Anderson, narrator

Intermission

Witch’s Ride from Hansel and Gretel
   Engelbert Humperdinck

The Young Person’s Guide to the Orchestra
   Benjamin Britten
       Dr. Gregory Tomso, narrator

Tickets for this concert are: 

$30 | Adults
$25 | Seniors (65 and over)
$5 | Students

Tickets available online or at the door.
All tickets are General Admission

Brandon Anderson

450x600_tomso-headshot

Dr. Gregory Tomso

Program Notes February, 21 2026

Humperdinck: Hansel and Gretel – Overture and Witches’ Ride
Humperdinck’s first opera was also his greatest success. Beloved by children and adults alike, Hänsel und Gretel owes much of its enduring charm to its masterful orchestration and irresistibly beautiful melodies. Though Humperdinck was a pupil of Wagner, and the opera is steeped in Wagnerian techniques such as leitmotifs and richly layered orchestral writing, he transforms these grand tools into something light, intimate, and enchanting.

Richard Strauss hailed the work as “a masterpiece of the highest quality… original, new, and so authentically German,” and was so taken by it that he conducted the opera’s premiere himself. Across its three acts, Hänsel und Gretel traces a vivid journey: from the stark reality of poverty and hunger, through the shadowy unease of a dark and mystical forest, and finally into a world of pure fantasy, where witches, gingerbread houses, and wonder triumph over fear.

Overture
The overture weaves together many of the themes that will later unfold throughout the opera, offering a musical glimpse into the story ahead. It opens with the hymn “Evening Prayer,” gently intoned by the horns, one of the most luminous and tender chorales ever written for the instrument. A bright trumpet fanfare then ushers in a faster, serene passage that gradually gathers tension and unease. In the final moments, the music returns to the dreamy, magical calm of the opening hymn, as if drawing a curtain aside and inviting us into the fairy-tale world of Hänsel und Gretel.

Witches’ Ride
Critics often return to comparisons between Humperdinck and Wagner: the sound world is unmistakably Wagnerian, but refined, lighter on its feet and touched with elegance. Nowhere is this clearer than in The Witches’ Ride, frequently likened to Wagner’s Ride of the Valkyries, only here the riders trade magic horses for broomsticks. This brief, high-energy dash perfectly captures the thrill of being swept headlong into the Brothers Grimm’s fairy-tale world.

Prokofiev: Peter and the Wolf
Prokofiev and his young family often visited the Moscow Children’s Theatre, where their shared delight in the performances did not go unnoticed. Natalia Satz, the theater’s visionary director, recognized an opportunity and encouraged Prokofiev to compose a work for orchestra and narration especially for children, one that could play an important role in music education. Prokofiev eagerly took on the project, and completed the entire work, music and text, in a remarkably swift four days. His genius is evident in the vivid way each character is brought to life, with orchestral colors perfectly capturing their personalities and essence. Natalia Satz’s instinct proved correct: Prokofiev created what would become the most famous and enduring work written for children.

Britten: Young Person’s Guide to the Orchestra
Benjamin Britten, one of the most celebrated English composers of the 20th century, wrote music that sounded modern and fresh while remaining immediately appealing to audiences. Because of this rare gift, the British Ministry of Education invited him to create a piece that would introduce young listeners to the many voices of the orchestra. The result is The Young Person’s Guide to the Orchestra, originally written for narrator and orchestra. The music is so cleverly and colorfully constructed, that it is often performed today as a purely orchestral showpiece.

Britten begins with a stately theme from Henry Purcell’s Abdelezar. From there, he playfully takes the theme apart, handing it to each section of the orchestra and then to individual instruments, who transform it through imaginative and often surprising variations. The piece builds toward a thrilling finale: a brilliantly orchestrated fugue in which the instruments enter one by one in dazzling succession. Just when it seems Britten has exhausted every possibility, Purcell’s theme returns in glorious fashion, this time proclaimed triumphantly by the full brass section, bringing the work to an unforgettable close.

Narrators

Brandon Anderson is an actor, director, playwright, and educator originally from Clear Lake, Minnesota. He holds a Master of Arts with Distinction in Acting: The British Tradition from the Royal Birmingham Conservatoire in England and a Bachelor of Arts in Theatre from Saint John’s University. While studying in the United Kingdom, he participated in a classical theatre workshop at Shakespeare’s Globe Theatre in London, an experience that continues to influence his work with heightened text and ensemble-driven storytelling.

Following his graduate studies, Anderson worked professionally between Los Angeles and New York City, appearing in student films, commercial projects, and summer Shakespeare festivals. His favorite performance credits include the title role in Hamlet, performed in repertory with Much Ado About Nothing with Ophelia’s Jump Productions. He continues to remain active as an actor within the Minnesota arts community whenever opportunities allow.

Anderson’s directing work often explores the intersection of classical text and contemporary perspective, emphasizing physical storytelling, strong ensemble work, and collaborative creation. His artistic practice has expanded internationally; while living in South Korea, he developed curriculum in acting, voice, and movement at AMJ Academy and was awarded Best Directing at a 24-hour International Expat Film Festival for his short film Nice Hat.

He is currently in his eighth year as Theatre Director, Instructor, and Theatre Chair at Saint John’s Preparatory School in Collegeville, Minnesota, where he leads a student-centered theatre program focused on artistic rigor and process-driven storytelling. In addition to his work in education, Anderson serves on the Board of Directors for the Great River Chorale, supporting the continued growth of the performing arts in central Minnesota.

Dr. Gregory Tomso began his term as St. Cloud State University’s 26th president on January 5, 2026 bringing a deep commitment to academic excellence and student success.

A native of Chesapeake, Virginia, Dr. Tomso grew up in a community known for its proximity to the Chesapeake Bay and its strong naval shipbuilding tradition. His family’s story reflects resilience and opportunity—his mother was the youngest of 11 children from a Kentucky farming family, and his father was a World War II refugee from Czechoslovakia. While college was not part of his family’s history, his parents encouraged him to pursue higher education, promising support if he earned good grades.

Dr. Tomso attended the University of Virginia, where he discovered his passion for the humanities, history, and literary studies. He earned a Bachelor of Arts in English and History with a concentration in American Studies and a minor in German.

His academic journey continued at Duke University, where he earned a Ph.D. in English with a specialization in American literature. Immersed in an interdisciplinary and vibrant intellectual environment, Dr. Tomso embraced emerging fields such as cultural studies and gender studies.

Dr. Tomso brings passion for learning and innovation to St. Cloud State University, guiding the institution toward a future of excellence, equity, and opportunity for all students.

Info
Category: ,
Location: Ritsche Auditorium (Stewart Hall), St. Cloud State University
Date: February 21, 2026
Duration: 1 Day
Storytime: Join us for a magical afternoon perfect for the whole family! Discover the adventurous world of Peter and the Wolf by Prokofiev, then dive into the colorful sounds of the orchestra with Britten’s brilliant Young Person’s Guide to the Orchestra.